Julius Caesar, one of Shakespeare’s most notable tragedies, is infused with fresh life in TAPS’s Winter Main Stage. Set five years in the future, this classic text opens up many lenses to our contemporary life and asks timeless questions of power, politics, and betrayal. Directed by TAPS Assistant Professor and Artistic Director Michael Rau, Julius Caesar reimagines historical political figures as they strive to make the right decision in the face of exceedingly complicated circumstances. This production is produced in collaboration with the COLLEGE (Civic, Liberal, and Global Education) program and presented in Memorial Auditorium.

MICHAEL RAU (TAPS Professor and Artistic Director) is a live performance director specializing in new plays, opera, and digital media projects. He has directed projects internationally in Germany, the UK, Brazil, Ireland, Denmark, Mexico, Canada, Australia, and the Czech Republic. He has created work in New York City at Lincoln Center, The Public Theater, PS122, HERE Arts Center, Ars Nova, The Bushwick Starr, The Brick, 59E59, 3LD, and Dixon Place. Regionally, his work has been seen at the American Repertory Theatre in Cambridge, MA, the Ann Arbor Summer Festival, and the Humana Festival at Actors Theater of Louisville. His work with composer Kate Soper has been performed at the Seattle Symphony, Smith College, and The New York Festival of Song at the Dimenna Center. He has developed new plays at the Eugene O’Neill National Playwrights Conference, Playwrights Realm and the Kennedy Center in Washington DC. His production of temping was selected by the Guardian and the Telegraph as one of the best productions of the 2022 Edinburgh Festival Fringe, and the piece was featured twice in New York Times He is a recipient of a 2021 Artists + Machine Intelligence Research Award from Google, as well as fellowships from the Likhachev Foundation, the Kennedy Center, and the National New Play Network. He has been a resident artist at the Orchard Project, E|MERGE, and the Tribeca Performing Arts Center. His experimental opera, developed in collaboration with MeowWolf narrative director Joanna Garner was a finalist for the Finnish National Opera’s Opera Beyond competition. Rau is a Forward/Story fellow and a speaker at Books in Browsers, Performing Robots, and StoryCode. He has been an assistant director for Francesca Zambello, John Turturro, Robert Woodruff and associate director for Anne Bogart, Les Waters, and Ivo Van Hove. He is a New York Theater Workshop Usual Suspect and a member of the Lincoln Center Directors Lab. He is a graduate of Wesleyan University and received his MFA in Theater Directing from Columbia University. At Stanford, he is an affiliate faculty member with the Stanford Institute for Human-Centered Artificial Intelligence, and within TAPS serves as the head for the Theater-Making Concentration as well as the Artistic Director for the department.