Jen Silverman's WITCH A Dark Comedy | early 16th century painting of medieval British castle with two peasants sitting outside the walls: a woman sitting in the ground, and a man with graffiti devil horns and tail added to original art, talking to her.

WITCH

By Jen Silverman | Directed by Michael Rau

A charming devil arrives in the quiet village of Edmonton—a semi-rural small town lost in the country—to bargain for the souls of its residents in exchange for their darkest wishes. Elizabeth should be his easiest target, having been labeled a “witch” and cast out by the town, but her soul is not so readily bought. An inventive retelling of a Jacobean drama, this sharp, subversive fable debates how much our souls are worth when hope is hard to come by.

ABOUT THE DIRECTOR

Michael Rau

Michael Rau (TAPS Assistant Professor) is a live performance director specializing in new plays, opera, and digital media projects. He has directed projects internationally in Germany, the UK, Brazil, Ireland, Denmark, Mexico, Canada, Australia, and the Czech Republic. He has created work in New York City at Lincoln Center, The Public Theater, PS122, HERE Arts Center, Ars Nova, The Bushwick Starr, The Brick, 59E59, 3LD, and Dixon Place. Regionally, his work has been seen at the American Repertory Theatre in Cambridge, MA, the Ann Arbor Summer Festival, and the Humana Festival at Actors Theater of Louisville. His work with composer Kate Soper has been performed at the Seattle Symphony, Smith College, and The New York Festival of Song at the Dimenna Center. He has developed new plays at the Eugene O’Neill National Playwrights Conference, Playwrights Realm and the Kennedy Center in Washington DC. His production of temping was selected by the Guardian and the Telegraph as one of the best productions of the 2022 Edinburgh Festival Fringe, and the piece was featured twice in New York Times. He is a recipient of a 2021 Artists + Machine Intelligence Research Award from Google, as well as fellowships from the Likhachev Foundation, the Kennedy Center, and the National New Play Network. He has been a resident artist at the Orchard Project, E|MERGE, and the Tribeca Performing Arts Center. His experimental opera, developed in collaboration with MeowWolf narrative director Joanna Garner was a finalist for the Finnish National Opera’s Opera Beyond competition. Rau is a Forward/Story fellow and a speaker at Books in Browsers, Performing Robots, and StoryCode. He is a fellow of the Akademie für Theater und Digitalität and a resident of Stochaistic Labs. He has been an assistant director for Francesca Zambello, John Turturro, Robert Woodruff and associate director for Anne Bogart, Les Waters, and Ivo Van Hove. He is a New York Theater Workshop Usual Suspect and a member of the Lincoln Center Directors Lab. He is a graduate of Wesleyan University and received his MFA in Theater Directing from Columbia University. At Stanford, he is an affiliate faculty member with the Stanford Institute for Human-Centered Artificial Intelligence.

PRODUCTION CREDITS

CREATIVE TEAM

POSITIONNAME
DirectorMichael Rau
Assistant DirectorsDaniel Jackson, Bridget Phillips
Intimacy DirectorNatalie Greene
Fight DirectorKristen Matia
ChoreographerAleta Hayes
Vocal/Text CoachStephanie Hunt
DramaturgsYutsha Dahal, Anna Zheng
Scenic DesignerNina Ball
Props ArtisanChristine Edwards
Costume DesignerEryn Perkins
Associate Costume DesignerBecky Bodurtha
Lighting DesignerChristian Mejia
Assistant Lighting DesignerKelvin Niu
Lighting ProgrammerEspen Garner
Sound DesignerMichael Kelly
Assistant Sound DesignerSebastian Blue Hochman
Stage ManagerKaitlin Weinstein
Assistant Stage ManagersVijay Nathan Josephs, Alison Rogers
TAPS 39 CrewLily Amaturo, Cate Celio, Zoe Ehrlich, Jordan Finley, Charlotte Kearns, Cameron Krouch, Rachelle Weiss

WITCH CAST

POSITIONNAME
ScratchDina 'D' Fukunaga-Brates
CuddyRyder Thompson
FrankGeorge Porteous
Sir ArthurBai-Han Zhang
ElizabethLyle Belger
WinnifredEmma Hong
U/S Cuddy, Frank, Sir ArthurNoah Dehli
U/S ElizabethJenin Al Shalabi
U/S WinnifredAudrey Hunter
U/S ScratchHeather Schechter

TAPS STAFF

POSITIONNAME
Department ChairDiana Looser
Artistic DirectorAmy Freed
DFOEugene Buck
Asst. DFOWenlin He
Student Services ManagerKatie Dooling
Finance & Faculty Affairs AdminJanet Pineda
Production ManagerTyler B. Osgood
Technical DirectorDaniel Cadigan
Costume Shop LeadHeather Miller
Head ElectricianKenny McMullen
Scenic & Technology LeadBrett Cavanaugh
Head Cutter/DraperEmma Vossbrink
Scenic TechniciansMike Edwards, Jenna Forder, Alan Huang, Craig Manno, Stephanie Manno, Matthew Owens, Paul Strayer, Kyo Yohena
Costume TechniciansCourtney Morgan, Lauren Suiter
Scenic PaintersChristine Edwards, Kyo Yohena
Production AssociateStephanie Manno
Facilities ManagerLori Fowler
Marketing & Events DirectorStefanie Okuda
Marketing & Events CoordinatorBrendon Martin
Production PhotographersFrank Chen, Stephen Hitchcock
Student Asst. Production ManagersNorri Dupree, Alison Rogers, Alister Sharp
Student Asst. Technical DirectorsEspen Garner, Eduardo Moreno Adanez, Jennifer Yim, Sid Zhang
Student Marketing AssistantsCate Celio, Vanessa Chen, Shreya Komar, Anujin Naranbaatar, Sierra Michelle
Student Scenic TechniciansMarina Castilla-Liu, Kyan Cortez Ghandi, Isabelle Eichhorst, Lela Hanson, Jonathan Howell, Henry Kasulka, Arya Martin, Keshav Narang, Iz Avery Paylor, Trini Rogando, Liana Singh, Sawyer Williams
Student Costume Shop AdminsCharlotte Kearns
Student Costume Technician LeadElzi Thomas
Student Costume TechniciansEzra Melosh, Zaki Rob, Anna Zheng

ADMISSION

Tickets $5-$21.90
Advanced Purchase Required
Tickets on Sale Feb 20

WHEN

Thursday-Saturday March 06-08 at 8pm

There will be no late seating or re-seating while the performance is in progress.

WHERE

Harry J. Elam, Jr. Theater
Roble Gymnasium
Stanford University Main Campus

RUN TIME

This production runs 100 minutes and is presented without intermission.

SPONSORS

This production was supported by the Pigott Fund for Drama, the May Ellen Ritter Production Fund, and the Drs. Ben and A. Jess Shenson Fund.

IMPORTANT INFO

LATE SEATING / RE-SEATING

For safety reasons, we cannot accommodate late admission OR re-seating while the performance is in progress. Please plan on arriving with ample time to find parking, locate the theater, move through the box office, etc.

SPECIAL EFFECTS

This production makes use of water-based haze.

ACCOMMODATIONS

Electronic Assisted Listening Devices will be available for pickup at the Box Office on performance nights.

Request disability accommodations and access info via Stanford’s online form. Requests should be made by March 1, 2024.

FILMING NOTICE

Any personal video and/or audio recording of this production is strictly prohibited.

The Thursday, March 6th performance will be professionally recorded for potential future public viewing. Cameras in the theater may incidentally capture audience images and audio in the background. Ticket purchasers must alert all members of their party to this possibility, and refrain from purchasing tickets before receiving their party’s consent.

THE CREATIVE PROCESS

TABLEWORK

TAPS’s podcast series TABLEWORK is a behind-the-scenes look at the scholarly and artistic efforts behind each production. This episode features  Host TAPS graduate student CONNOR LIFSON interviewing Witch director and TAPS Assistant Professor MICHAEL RAU.

[View Transcript]