PARENTHESES OF BLOOD
by SONY LAB'OU TANSI | directed by EDRIS COOPER-ANIFOWOSHE
ABOUT THE PRODUCTION
Sony Lab’ou Tansi’s Parentheses of Blood is a darkly humorous satire set in a country with a brutal and authoritarian government, with a growing and threatening rebellion. On orders from the Capitol, soldiers set out to arrest and kill rebel leader, Libertashio. The only problem is that Libertashio is already dead! But that does not stop the Capitol and its minions from trying as they terrorize the citizens and Libertashio’s family. Deeply funny, this absurdist postcolonial farce from the Congo too readily reflects our own nation’s problems: where rumor betters facts and rebellion looms from many sides.
Content Notice: Parentheses of Blood deals with state-sponsored violence and moments of physical touch.
ABOUT THE DIRECTOR
Edris Cooper-Anifowoshe is an award-winning director, actor and writer. Edris has directed at SF Playhouse, Exit Theatre, SF Mime Troupe, Z Space, Word for Word, Magic Theatre Trinity Rep, Magic Theatre, TheatreWorks, WaterTower Theatre/Dallas, Mark Taper Forum, Southern Rep/New Orleans and Alabama Shakespeare. Edris has acted with the SF Mime Troupe, Aurora Theatre, SF Playhouse, Art Theatre Ibadan, Nigeria and for 11 years was a lead artist for Rhodessa Jones’s The Medea Project; Theatre for Incarcerated Women. Edris’s solo performances have been seen at Northwestern University, Penn Museum, University of Illinois, University of Florida, San Francisco’s Afro Solo Festival, Intersection for the Arts, Eastside Alliance and Brava Theater where she is a resident artist. Her play, Adventures of A Black Girl In Search of Academic Clarity and Inclusion is published in the anthology solo/black/women. In addition to her own company, Edris is a member of Campo Santo and Word for Word theater companies. Photo by Joan Osato.
CREATIVE TEAM
Director
Edris Cooper-Anifowoshe
Assistant Director
Corazón Johnston
Set Designer
Nina Ball
Costume Designer
Becky Bodurtha
Assistant Costume Designer
Eryn Perkins
Lighting Designer
Kent Dorsey
Sound Designer
Jake Rodriguez
Vocal Coach
Stephanie Hunt
Intimacy & Fight Director
Carla Pantoja
Stage Manager
Gabriella Howell
Assistant Stage Manager
Margarita Jamero
Deck
Aiyana Washington
Dresser
Finn Slingerland
Wardrobe Lead
Clem Harrington
Sound Board Op
Eduardo Moreno
Light Board Op
Ryan Dukes
On Call Technician
Arielle DeVito
CAST
In Order of Appearance
The Fool
Leeth Singhage
Martial
Ryan Yu
Ramana
Priscilla De La Rosa
Aleyo
Emily Saletan
The Sergeant & Soldiers
Dhriti Nagar,
Matthew Canlas, and
Corazòn Johnston
Cavacha
Dhriti Nagar
Dr. Portès
Matthew Canlas
Mme. Portès
Ryan Yu
The Parson
Leeth Singhage
TICKETS
Tickets $5-$20
Advanced Purchase Required
GET TICKETS NOW
WHEN
THURSDAY-SATURDAY
NOVEMBER 17-19
There will be no late seating or re-seating while the performance is in progress.
WHERE
This production performs in the Harry J. Elam, Jr. Theater in Roble Gymnasium, located at 375 Santa Teresa Street
RUN TIME
This production runs 90 minutes and is presented without intermission
SPONSORS
This production was made possible in part by the Pigott Fund for Drama, the May Ellen Ritter Production Fund, and the Drs. Ben and A. Jess Shenson Fund
IMPORTANT INFO
LATE SEATING / RE-SEATING
For safety reasons, we cannot accommodate late admission OR re-seating while the performance is in progress. Please plan on arriving with ample time to find parking, locate the theater, move through the box office, etc.
ACCOMMODATIONS
For disability-related accommodations, please contact: tapsinformation@stanford.edu. Requests should be made by November 10th.
COVID-19 POLICY
Masks are strongly encouraged inside the theater and in the lobby. Patrons should not attend events if they are experiencing symptoms of upper respiratory illness. If patrons should test positive for COVID-19 within ten days of being on campus, they should report using the General COVID-19 Case Reporting Form.
FILMING NOTICE
The Friday, November 18th performance will be recorded for future public viewing. Cameras in the theater may incidentally capture audience images and audio in the background. Ticket Purchasers must alert all members of their party to this possibility, and refrain from purchasing tickets before receiving their Party’s consent.
BEHIND THE SCENES
TABLEWORK
The 22-23 Season of TABLEWORK begins with our Fall Main Stage, Parentheses of Blood. TAPS Graduate Student and TABLEWORK Host Marina Johnson interview Guest Director Edris Cooper-Anifowoshe as they talk through the processes, goals, and challenges for the production, sharing a window into the immense scholarly and creative efforts that serve as the foundation of TAPS performances.