PARENTHESES OF BLOOD

by SONY LAB'OU TANSI | directed by EDRIS COOPER-ANIFOWOSHE

ABOUT THE PRODUCTION

Sony Lab’ou Tansi’s Parentheses of Blood is a darkly humorous satire set in a country with a brutal and authoritarian government, with a growing and threatening rebellion. On orders from the Capitol, soldiers set out to arrest and kill rebel leader, Libertashio. The only problem is that Libertashio is already dead! But that does not stop the Capitol and its minions from trying as they terrorize the citizens and Libertashio’s family. Deeply funny, this absurdist postcolonial farce from the Congo too readily reflects our own nation’s problems: where rumor betters facts and rebellion looms from many sides.

Content Notice: Parentheses of Blood deals with state-sponsored violence and moments of physical touch.

ABOUT THE DIRECTOR

Edris Cooper Anifowoshe PC: Joan Osato

Edris Cooper-Anifowoshe is an award-winning director, actor and writer. Edris has directed at SF Playhouse, Exit Theatre, SF Mime Troupe, Z Space, Word for Word, Magic Theatre Trinity Rep, Magic Theatre, TheatreWorks, WaterTower Theatre/Dallas, Mark Taper Forum, Southern Rep/New Orleans and Alabama Shakespeare. Edris has acted with the SF Mime Troupe, Aurora Theatre, SF Playhouse, Art Theatre Ibadan, Nigeria and for 11 years was a lead artist for Rhodessa Jones’s The Medea Project; Theatre for Incarcerated Women. Edris’s solo performances have been seen at Northwestern University, Penn Museum, University of Illinois, University of Florida, San Francisco’s Afro Solo Festival, Intersection for the Arts, Eastside Alliance and Brava Theater where she is a resident artist. Her play, Adventures of A Black Girl In Search of Academic Clarity and Inclusion is published in the anthology solo/black/women. In addition to her own company, Edris is a member of Campo Santo and Word for Word theater companies. Photo by Joan Osato.

 

CREATIVE TEAM

Director
Edris Cooper-Anifowoshe

Assistant Director
Corazón Johnston

Set Designer
Nina Ball

Costume Designer
Becky Bodurtha

Assistant Costume Designer
Eryn Perkins

Lighting Designer
Kent Dorsey

Sound Designer
Jake Rodriguez

Vocal Coach
Stephanie Hunt

Intimacy & Fight Director
Carla Pantoja

Stage Manager
Gabriella Howell

Assistant Stage Manager
Margarita Jamero

Deck
Aiyana Washington

Dresser
Finn Slingerland

Wardrobe Lead
Clem Harrington

Sound Board Op
Eduardo Moreno

Light Board Op
Ryan Dukes

On Call Technician
Arielle DeVito

CAST

In Order of Appearance

The Fool
Leeth Singhage

Martial
Ryan Yu

Ramana
Priscilla De La Rosa

Aleyo
Emily Saletan

The Sergeant & Soldiers
Dhriti Nagar,
Matthew Canlas, and
Corazòn Johnston

Cavacha
Dhriti Nagar

Dr. Portès
Matthew Canlas

Mme. Portès
Ryan Yu

The Parson
Leeth Singhage

TICKETS

Tickets $5-$20
Advanced Purchase Required

WHEN

THURSDAY-SATURDAY
NOVEMBER 17-19

There will be no late seating or re-seating while the performance is in progress.

WHERE

This production performs in the Harry J. Elam, Jr. Theater in Roble Gymnasium, located at 375 Santa Teresa Street

RUN TIME

This production runs 90 minutes and is presented without intermission

SPONSORS

This production was made possible in part by the Pigott Fund for Drama, the May Ellen Ritter Production Fund, and the Drs. Ben and A. Jess Shenson Fund

IMPORTANT INFO

LATE SEATING / RE-SEATING

For safety reasons, we cannot accommodate late admission OR re-seating while the performance is in progress. Please plan on arriving with ample time to find parking, locate the theater, move through the box office, etc.

ACCOMMODATIONS

For disability-related accommodations, please contact: tapsinformation@stanford.edu. Requests should be made by November 10th.

COVID-19 POLICY

Masks are strongly encouraged inside the theater and in the lobby. Patrons should not attend events if they are experiencing symptoms of upper respiratory illness. If patrons should test positive for COVID-19 within ten days of being on campus, they should report using the General COVID-19 Case Reporting Form.

FILMING NOTICE

The Friday, November 18th performance will be recorded for future public viewing. Cameras in the theater may incidentally capture audience images and audio in the background. Ticket Purchasers must alert all members of their party to this possibility, and refrain from purchasing tickets before receiving their Party’s consent.

BEHIND THE SCENES
TABLEWORK

The 22-23 Season of TABLEWORK begins with our Fall Main Stage, Parentheses of Blood. TAPS Graduate Student and TABLEWORK Host Marina Johnson interview Guest Director Edris Cooper-Anifowoshe as they talk through the processes, goals, and challenges for the production, sharing a window into the immense scholarly and creative efforts that serve as the foundation of TAPS performances.