A MIDSUMMER NIGHT'S DREAM

by WILLIAM SHAKESPEARE | directed by AMY FREED

ABOUT THE PRODUCTION

Coming from the heart of a writer whose fan base remains strong after 400 years, A Midsummer Night’s Dream celebrates love, youth and the beauty and mysterious power of nature. Traveling between exuberance and danger, innocence and transgression, waste land and wonderland, it’s a comedy about the yearning of human beings for restoration, both of nature and of themselves.

This production was originally planned for the Spring of 2020, but the worldwide pandemic prevented it from being staged. Two years later, everyone can have a better appreciation of the play’s deepest meanings. The coming of light, it seems to say, requires a plunge into darkness. A Midsummer Night’s Dream is about the return to life.


As the play’s young lovers flee the heavy hand of society for the freedom of the forest, we can
acknowledge what we’ve all been through and celebrate, across time, the endless cycles of renewal and the special promise of this moment.

 

ABOUT THE DIRECTOR

Amy Freed

AMY FREED (TAPS Artist-in-Residence) is the author of Shrew!, The Monster Builder, Restoration Comedy, The Beard of Avon, Freedomland, Safe in Hell, The Psychic Life of Savages, You, Nero, and other plays. She‘s a recipient of the Charles McArthur Playwriting Award (D.C.), The New York Arts Club’s Joseph Kesserling Award, a several-times winner of the LA Critics Circle Award, the Bay Area Critics Circle Award, and is a Pulitzer Prize finalist. Her work has been seen at South Coast Repertory Theater, New York Theater Workshop, Seattle Repertory, American Conservatory Theater, Yale Rep, California Shakespeare Theater, Berkeley Rep, the Goodman, Playwright’s Horizons, Woolly Mammoth, Arena Stage, and other theaters around the country. She has held playwriting residencies at South Coast Rep, the Arena Stage, and San Diego’s Old Globe. She is currently working on a commission for South Coast Rep.

Freed received a BFA in theater from Southern Methodist University, and an MFA in Acting from the American Conservatory Theater. She has taught acting and directed for ACT’s MFA program. She’s also taught playwriting at San Francisco State and for the MFA playwriting program at UCSD.

 

 

CREATIVE TEAM

Director
Amy Freed

Associate Director
Randall K. Lum

Assistant Director
Audrey Mitchell

Choreographer
Adin Walker

Dramaturgs
Rashi Mishra, Zoe Ryu

Set Designer
Nina Ball

Costume Designer
Becky Bodurtha

Lighting Designer
Kent Dorsey

Sound Designer
Cliff Caruthers

Prop Artisan
Christine Edwards

Vocal Coach
Stephanie Hunt

Movement Coordinator
Matt Chapman

Fight Choreographer
Dave Maier

ASSISTANTS + CREW

Stage Manager
Katie Dragone

Assistant Stage Managers
Dahkota Brown, JJ Kapur

Assistant Set Designer
Katie Resnik

Assistant Costume Designers
Arielle DeVito, Eryn Perkins, Elzi Thomas

Deck
Genny Knowles

Dresser
Margarita Jamero

Wardrobe Lead
Catherine Sarca

Sound Board Op
Isabella de Vlieger

On-Call Technician
JJ Sutton

CAST

in alphabetical order

First Fairy & Sentinel
Jayda Alvarez

Hippolyta & Fairy
Katie Buntic

Peaseblossom
Tiffany Cartagena

Theseus & Fairy
Morgan Gwilym Tso

Moth & Philostrate
Cleopatra Howell

Helena
Vivian Leilani Shay

Starveling
Acacia Lynch

Fairy
Jordan Marie Finley

Snug & Cobweb
Adhara Martellini

Flute
Thomas Mayer

Titania
Kaylee McNitt

Oberon
Cliff Miller

Puck
Alison Rogers

Bottom
Finn Slingerland

Peter Quince & Egeus
Jack Thorell

Lysander
Marlon Washington II

Hermia
Aiyana Washington

Demetrius
Parker Watt

Mustard Seed
Dance Captain
Anna Zheng

Snout
Kendall Zystra

TICKETS

TICKETS ARE CURRENTLY
SOLD-OUT.

There’s still a chance to see the show through our wait-list system! See our wait-list policy and procedures below.

WHEN

MAY 19-21 at 8PM

There will be no late seating or re-seating while the performance is in progress.

WHERE

This production performs outdoors in the courtyard of Roble Gymnasium, located at 375 Santa Teresa Street.

RUN TIME

This production runs approximately 2 hours and 30 minutes and is presented with one intermission.

SPONSORS

This production was made possible in part by Stanford Repertory Theater, the Pigott Fund for Drama, the May Ellen Ritter Production Fund, and the Drs. Ben and A. Jess Shenson Fund.

IMPORTANT INFO

LATE SEATING / RE-SEATING

For safety reasons, we cannot accommodate late admission OR re-seating while the performance is in progress. Please plan on arriving with ample time to find parking, locate the theater, move through the box office, etc.

ACCOMMODATIONS

For disability-related accommodations, please contact: tapsinformation@stanford.edu. Requests should be made by May 12th.

COVID-19 POLICY

Patrons should not attend events if they are experiencing symptoms of upper respiratory illness. If patrons should test positive for COVID-19 within ten days of being on campus, they should report using the General COVID-19 Case Reporting Form.

FILMING NOTICE

The Saturday, May 21st performance will be recorded for future public viewing. Cameras in the theater may incidentally capture audience images and audio in the background. Ticket purchasers must alert all members of their party to this possibility, and refrain from purchasing tickets before receiving their Party’s consent.

PRODUCTION PROGRAM