Where & When

TUE + WED JAN 20-21
6-9PM | ROBLE GYM LOUNGE

CALLBACKS:
FRI JAN 23 | 3-7PM 


Performance Info

THU-SAT MAY 07-09 
8PM | PIGOTT THEATER


Important Resources

Must be logged in on an @stanford.edu account to view

Audition Sides

Theater Standards

Production Schedule

Narrative Draft (later script will be based on this)


Accessibility

If any accessibility accommodations with auditions or callbacks are needed please email tapsinformation [at] stanford.edu for assistance.


Sponsors

This production was made possible in part by the Pigott Fund for Drama and the May Ellen Ritter Production Fund.

About Moonchild

Written by K. Sid Zhang (‘25) and
TAPS Graduate Student Connor Lifson
Directed by Connor Lifson

How does one heal a world that is sick? From an ancient lighthouse in the desert to a raging inferno among the clouds, Moonchild tells the story of a young girl’s quest to rid a dark fantasy realm of its blight. Along the way, she and her fairy companion uncover an unsettling reality lurking beneath the magic. In this unique blend of visual metaphor, physical theater, and miniature puppetry, a live video camera onstage visually narrates the tale in real time, providing an intimate cinematic view of this small, but epic adventure through the impossible.

Stanford TAPS seeks to build a diverse cast for this production and encourages members of any race, gender identity, and ability to audition. If any accessibility accommodations are needed please email tapsinformation [at] stanford.edu for assistance.

About Rehearsals

While this is not a devising process (the original script will be finalized before official rehearsals begin), we are looking for performers who are eager to experiment in a highly collaborative rehearsal environment. This show blends conventional acting, physical theater, and puppetry. 

Official rehearsals begin at the top of Spring quarter and will take place during standard TAPS rehearsal hours (MON-THUs 7-10PM + Saturday afternoons). Not all students will be called for every rehearsal, but participants will be expected to be available for each rehearsal unless they have listed it as a conflict on their audition form. You can view the Production Schedule in the right-hand column under “Important Resources.”

After casting is complete, we will hold optional workshops during Winter quarter to develop the script (from its current narrative draft to a more traditional theatrical format) and cultivate a stylistic vocabulary for the show. Availability for these winter workshops will not affect casting.

About Auditions

Auditions will be held as 15-min individual timeslots. If you are unable to attend auditions in person, a video submission can be sent in via Google Drive link to tapsinformation [at] stanford.edu by JANUARY 21 at 12PM PT. Please email tapsinformation [at] stanford.edu for instructions.

What To Prepare

No need to prepare anything. The team will have sides for you to read as well as exercises for you to do in the audition room. You can preview the audition sides linked under “Important Resources”. 

Casting Breakdown

The team will be casting 5-7 performers. Everyone, except the protagonist Lyra, will play multiple roles. All roles may be filled by actors of any gender, race, identity, ability, etc. Instead of auditioning for specific roles, you will audition to be a part of the ensemble—specific roles will be distributed by the top of Spring quarter, following the Winter workshops. 

The team is looking for performers with a wide range of skill sets, from conventional acting to physical theater to puppetry.* No experience required. Some of the Roles the team hopes to cast are looking for:

— Lyra: age 10-12; deeply curious and strong-willed, she is our protagonist and sets off on an adventure to heal the fantasy world of Moonfall of its mysterious sickness.

  • The Sun/Narrator: age infinite; the mythic personification of the Sun who has lost her sister, the Moon; narrates the play to the audience
  • The Lighthouse Keeper: the keeper of an ancient lighthouse in the desert, has gone mad after centuries without the ocean
  • The Sky Turtle: a floating turtle in the sky with a wry sense of humor
  • The Monster: lives underground, has never seen sunlight; voiced by several performers
  • The Fairy: Lyra’s magical companion on her adventure; puppeteers the flashlight that represents the fairy onstage

*Puppetry, in this case, does not involve personified, muppet-style talking puppets—often, our “puppeteering” will involve aiming a flashlight so it appears to be a fairy, rippling blue silks to become an ocean, or working with objects on a miniature scale to stage fantastical events that would otherwise be impossible to represent onstage!

Design Assistant Positions

TAPS is also seeking design and rehearsal assistants for this production. Applications are due via email to the TAPS Production Manager: tapsproductionmgmt [at] stanford.edu. General crew and behind-the-scenes inquiries are welcome as well.

Assistant Applications

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