THE UNIT OPERATIONS HERE ARE HIGHLY SPECIFIC | title text over colorful crystal microscopy photo

SPRING 2025
DEVELOPMENTAL STAGE

The Unit Operations Here Are Highly Specific

One choreographed movement performance. Ten soundtracks to choose from. A personalized experience in public. An experiment in spectatorship. An audience with agency confounded by constraint. A performance where you get to wear headphones. The potential for unlimited variations. The unit operations here are highly specific.

Artistic Team

POSITIONNAME
Project Led ByDaniel Jackson
Movement Developed ByVinny Anderson, Chris Castillo, D Fukunaga-Brates, Daniel Jackson, Pamela Martinez, Chabriely Rivera-Oldan, Chuck Squier, Leora Uribe
Performed ByVinny Anderson, D Fukunaga-Brates
Sound Scores ByDanielle Adair, Vinny Anderson, Lucas Baisch, D Fukunaga-Brates, Orión Garcia, Matthew Gilbert, Chris Jackson, Daniel Jackson, Kimia Koochakzadeh-Yazdi, Anna Zheng
Set Design ByBren Kekoa Bartol
Light Design ByKelvin Niu
Sound System Design ByKyan Gandhi
Stage Management ByClaire Morton
TAPS 39 CrewAnnika Parmer, Sharon Wambu

ADMISSION

Advanced Purchase Required

WHEN

May 08 – May 10, 2025
8pm

WHERE

Pigott Theater
Memorial Auditorium Complex

IMPORTANT INFORMATION

RUN TIME

This production runs one hour without intermission.

LATE SEATING / RE-SEATING

For safety reasons, we cannot accommodate late admission OR re-seating while the performance is in progress. Please plan on arriving with ample time to find parking, locate the theater, move through the box office, etc.

ACCOMMODATIONS

Request disability accommodations and access info via Stanford’s online form. Requests should be made by May 1st.

Electronic Assisted Listening Devices will be available for pickup at Will Call for all performances.

FILMING ADVISORY

Any personal video and/or audio recording of this production is strictly prohibited.

Performances will be professionally recorded for potential future public viewing. Cameras in the theater may incidentally capture audience images and audio in the background. Ticket Purchasers must alert all members of their Party to this possibility, and refrain from purchasing tickets before receiving their Party’s consent.

SPONSORS

This production was supported by the Asian American Theater Project (AATP), the Pigott Fund for Drama, the May Ellen Ritter Production Fund, and the Drs. Ben and A. Jess Shenson Fund.